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The New Mutants: Superheroes and the Radical Imagination of American Comics (Postmillennial Pop, 1) 🔍
Fawaz, Ramzi New York University Press, Postmillennial Pop; 1, 2016 jan 22
English [en] · PDF · 15.1MB · 2016 · 📘 Book (non-fiction) · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
description
**How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions.**
2017 The Association for the Studies of the Present Book Prize
Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association
Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies
In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes.
In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies – including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants –alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
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nexusstc/The New Mutants: Superheroes and the Radical Imagination of American Comics/ec05825c12fe1aad9a50cce0e1b11abf.pdf
Alternative filename
lgli/10.18574_nyu_9781479814336.001.0001_mg.pdf
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lgrsnf/10.18574_nyu_9781479814336.001.0001_mg.pdf
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zlib/no-category/Ramzi Fawaz/The New Mutants: Superheroes and the Radical Imagination of American Comics_25984634.pdf
Alternative author
Ramzi Fawaz
Alternative edition
Postmillennial Pop, Postmillennial pop, New York State, 2016
Alternative edition
New York University Press, New York, 2016
Alternative edition
Postmillennial Pop, 1, New York, NY, 2016
Alternative edition
United States, United States of America
Alternative edition
Postmillennial Pop; 1, 2020
Alternative edition
2015
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degruyter.com
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producers:
pypdf
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{"isbns":["1479840025","9781479840021"],"publisher":"New York University Press","series":"Postmillennial Pop; 1"}
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类型: 图书
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丛书名: Postmillennial Pop Ser
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出版日期: 2016.01
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出版社: New York University Press
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开本: 200.25
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Includes bibliographical references and index.
Alternative description
2017 The Association for the Studies of the Present Book Prize
Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association
Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies
How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions.
In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes.
In The New Mutants , Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants —alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
Alternative description
"In 1964, noted literary critic Leslie Fiedler described American youth as 'new mutants, ' social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and 'freaks' soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies -- including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants -- alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States."--Publisher's description.
Alternative description
"In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies -- including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants --alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States."--Page 4 de la couverture
Alternative description
In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies - including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants -alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutantsprovides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.--Provided by publisher
Alternative description
"In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies -- including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants --alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States, "--Amazon.com.
Alternative description
The Family of Superman: The Superhero Team and the Promise of Universal Citizenship
"Flame On!" Nuclear Families, Unstable Molecules, and the Queer History of The Fantastic Four
Comic Book Cosmopolitics: The Fantastic Four's Counterpublic as a World-Making Project
"Where No X-Man Has Gone Before!" Mutant Superheroes and the Cultural Politics of the Comic Book Space Opera
Heroes "That Give a Damn!" Urban Folktales and the Triumph of the Working-Class Hero
Consumed by Hellfire: Demonic Possession and the Limits of the Superhuman in the 1980s
Lost in the Badlands: Radical Imagination and the Enchantments of Mutant Solidarity in The New Mutants.
date open sourced
2023-08-26
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