Have you ever seen something that wasnt really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing?
Hallucinations dont belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. People with migraines may see shimmering arcs of light or tiny, Lilliputian figures of animals and people. People with failing eyesight, paradoxically, may become immersed in a hallucinatory visual world. Hallucinations can be brought on by a simple fever or even the act of waking or falling asleep, when people have visions ranging from luminous blobs of color to beautifully detailed faces or terrifying ogres. Those who are bereaved may receive comforting visits from the departed. In some conditions, hallucinations can lead to religious epiphanies or even the feeling of leaving ones own body.
Humans have always sought such life-changing visions, and for thousands of years have used hallucinogenic compounds to achieve them. As a young doctor in California in the 1960s, Oliver Sacks had both a personal and a professional interest in psychedelics. These, along with his early migraine experiences, launched a lifelong investigation into the varieties of hallucinatory experience.
Here, with his usual elegance, curiosity, and compassion, Dr. Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every cultures folklore and art, and why the potential for hallucination is present in us all, a vital part of the human condition.
Amazon.com Review Amazon Best Books of the Month, November 2012: A familiar song on mental repeat, a shadowy movement in an empty house--many of us experience minor visual and auditory hallucinations and think nothing of it. Neurologist and professor Oliver Sacks concerns himself with those for whom such breaks with reality are acute and life altering. Dr. Sacks latest book--one of the most compelling in his fascinating oeuvre--centers on Charles Bonnet syndrome, a condition characterized by intricate visual hallucinations. Weaving together case studies with anecdotes from his own past and accessible medical explanations, Dr. Sacks introduces us to Sharon, whose vision is invaded by Kermit the Frog; Gertie, whose phantasmal gentleman caller visits each evening, bearing gifts; and a host of other patients whose experiences elicit both sympathy and self-reflection. (The good doctor also shares his own experiments with hallucinogenic drugs, to comic and insightful effect.) Hallucinations is Oliver Sacks at his best: as learned, introspective, and approachable as we could possibly imagine. -- Mia Lipman
The Neurological and the Divine: An Interview with Oliver Sacks The following is an excerpt from a Q&A with Dr. Sacks published on Omnivoracious, the Amazon Books blog. Click here to read the full interview.
Mia Lipman: In Hallucinations , you mention that your childhood migraines are one of the reasons you became a neurologist. How did they help shape your path?
Dr. Sacks: My experiences go back to my first memories of when I was three or four, suddenly seeing a brilliant zigzag which seemed to be vibrating, then enlarged and covered everything to one side. This has happened innumerable times since, but that first time was very terrifyingI know I was in the garden, and part of the garden wall seemed to disappear, and I asked my mother about it. She too had classical migraines, so she explained what it was about and said that it was benign and it would only last a few minutes, and I'd be none the worse. So though I'm not in love with the attacks, it's nice to know that one can live with this quite well.
So that early experience made you curious about why this was happening to you?
Indeed, and there were other experiences. Sometimes it was just color, perhaps in one half of the visual field, or things would be frozen and I couldn't see any movement. So I think this gave me a very early feeling that it's only the privilege of a normal brain which allows us to see the way we doand that what seems to be a simple vision in fact must have dozens of different components, and any one of these can go down. So it was a learning experience for me as well.
Speaking of learning experiences, you talk in the book about a period in your 30s when you did a lot of hallucinogenic drugs
Ah, I thought that would come up. [Laughing.]
Of course, it's the best part! I especially liked your description of the results as "a mix of the neurological and the divine." What did this self-experimentation teach you about your field, as well as personally?
I can't conceal that my motives were sort of mixed, but these were learning experiences as well as recreational ones, and occasionally terrifying ones. The gain, I think, [is that] it's a way of revealing various capacities and incapacities in the brain, including, perhaps, mystical onesI quote William James, who, after taking nitrous oxide, said that it showed him there were many forms of consciousness other than rational consciousness, and that these seem to be uncovered one by one. And that's quite an experience. I do not recommend it to anybody, and I hope my writing about these things is not seen as a recommendation. I think I'm very lucky to have survived them, which several of my friends and contemporaries didn't.
> Continue reading "The Neurological and the Divine: An Interview with Oliver Sacks"
Review 'Oliver Sacks is a neurologist, a man of humane eloquence, and a genuine communicator' Observer 'Sacks writes, basically, adventure stories, accounts of voyages into the unexplained territory of the brain. In doing so, he reveals a landscape far more complex and strange than anything we could infer from our daily interactions' Sunday Times 'Sacks is above all a clinician, and writes with compassion and clarity ... The result is a sort of humane discourse on the fragility of our minds, of the bodies that give rise to them, and of the world they create for us' Daily Telegraph 'In measured prose with a blessed lack of jargon, Sacks explores the ingenuity with which individuals cope with bizarre neurological conditions ... humane, empathic, he is the doctor you would want' Independent 'Oliver Sacks has become the world's best-known neurologist. His case studies of broken minds offer brilliant insight into the mysteries of consciousness' Guardian

lgrsfic/R:\0day\ger\fiction\Hallucinations by Oliver Sacks.mobi

zlib/Medicine/Sacks Oliver/Hallucinations by Oliver Sacks_4088044.mobi

Musicophilia : tales of music and the brain

The Mind's Eye

Oaxaca Journal

Vintage Sacks

Oliver W Sacks

Golden Books Publishing Company, Incorporated

Random House, Incorporated

Alfred A. Knopf

Vintage Books

Knopf Canada

Rev. and expanded, 1st Vintage books ed, New York, 2008

New York, NY, USA, New York State, October 16, 2007

Place of publication not identified, 2010

Place of publication not identified, 2012

Penguin Random House LLC, New York, 2010

Penguin Random House LLC, New York, 2008

Penguin Random House LLC, New York, 2013

United States, United States of America

1st Vintage books ed, New York, 2012

1st American ed, New York, 2012

1st ed, New York, 2010

New York, ©2004

Toronto, ©2012

Reprint, 2010

Reprint, 2012

3, 2007

uuuu

lg_fict_id_1370297

Revised and Expanded

In The Mind?s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the power of speech, the capacity to recognize faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world. There is Lilian, a concert pianist who becomes unable to read music and is eventually unable even to recognize everyday objects, and Sue, a neurobiologist who has never seen in three dimensions, until she suddenly acquires stereoscopic vision in her fifties. There is Pat, who reinvents herself as a loving grandmother and active member of her community, despite the fact that she has aphasia and cannot utter a sentence, and Howard, a prolific novelist who must find a way to continue his life as a writer even after a stroke destroys his ability to read. And there is Dr. Sacks himself, who tells the story of his own eye cancer and the bizarre and disconcerting effects of losing vision to one side. Sacks explores some very strange paradoxes?people who can see perfectly well but cannot recognize their own children, and blind people who become hyper-visual or who navigate by "tongue vision." He also considers more fundamental questions: How do we see? How do we think? How important is internal imagery?or vision, for that matter? Why is it that, although writing is only five thousand years old, humans have a universal, seemingly innate, potential for reading? The Mind?s Eye is a testament to the complexity of vision and the brain and to the power of creativity and adaptation. And it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to see with another person?s eyes, or another person?s mind. From the Hardcover edition

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.
([source][1])
[1]: https://www.oliversacks.com/books-by-oliver-sacks/musicophilia/

Introduction
Part One: Haunted by Music
1. A Bolt from the Blue: Sudden Musicophilia 1
2. A Strangely Familiar Feeling: Musical Seizures 18
3. Fear of Music: Musicogenic Epilepsy 24
4. Music on the Brain: Imagery and Imagination 34
5. Brain Worms, Sticky Music and Catchy Tunes 48
6. Musical Hallucinations 60
Part Two: A Range of Musicality
7. Sense and Sensibility: A Range of Musicality 118
8. Things Fall Apart: Amusia and Dysharmonia 126
9. Papa Blows his Nose in G: Absolute Pitch 157
10. Pitch Imperfect: Cochlear Amusia 173
11. In Living Stereo: Why We Have Two Ears 189
12. Two Thousand Operas: Musical Savants 197
13. An Auditory World: Musicality and Blindness 208
14. The Key of Clear Green: Synesthesia and Music 215
Part Three: Memory, Movement, and Music
15. In the Moment: Music and Amnesia 244
16. Speech and Song: Music Therapy and Aphasia 282
17. Accidental Davening: Dyskinesia and Cantillation 293
18. Touch Heaven: Music and Tourette's Syndrome 295
19. Keeping Time: Rhythm and Movement 304
20. Kinetic Melody: Music Therapy and Parkinson's Disease 320
21. Phantom Fingers: The Case of the One-Armed Pianist 337
22. Athletes of the Small Muscles: Musician's Dystonia 341
Part Four: Emotion, Identity, and Music
23. Awake and Asleep: Musical Dreams 359
24. Indifference to Music 368
25. Lamentations: Music and Depression 383
26. The Case of Harry S.: Music and Emotion 390
27. Irrepressible: Music and the Temporal Lobes 395
28. A Hypermusical Species: Williams Syndrome 410
29. Music and Identity: Music Therapy and Dementia 435
Bibliography 455
Index
486

"Have you ever seen something that was not really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Hallucinations don't belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. People with migraines may see shimmering arcs of light or tiny, Lilliputian figures of animals and people. People with failing eyesight, paradoxically, may become immersed in a hallucinatory visual world. Hallucinations can be brought on by a simple fever or even the act of waking or falling asleep, when people have visions ranging from luminous blobs of color to beautifully detailed faces or terrifying ogres. Those who are bereaved may receive comforting "visits" from the departed. In some conditions, hallucinations can lead to religious epiphanies or even the feeling of leaving one's own body. Humans have always sought such life-changing visions, and for thousands of years have used hallucinogenic compounds to achieve them. As a young doctor in California in the 1960s, the author had both a personal and a professional interest in psychedelics. These, along with his early migraine experiences, launched a lifelong investigation into the varieties of hallucinatory experience. Here, he weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every culture's folklore and art, and why the potential for hallucination is present in us all, a vital part of the human condition."--Jacket

NATIONAL BESTSELLER • The "poet laureate of medicine" ( The New York Times ) and author of The Man Who Mistook His Wife for a Hat weaves together stories of mind-altering experiences to reveal what they tell us about our brains, our folklore and culture, and why the potential for hallucination exists in us all.
"Sacks has turned hallucinations from something bizarre and frightening into something that seems part of what it means to be a person. His book, too, is a medical and human triumph.” — The Washington Post
“An absorbing plunge into a mystery of the mind.” — Entertainment Weekly
To many people, hallucinations imply madness, but in fact they are a common part of the human experience. These sensory distortions range from the shimmering zigzags of a visual migraine to powerful visions brought on by fever, injuries, drugs, sensory deprivation, exhaustion, or even grief. Hallucinations doubtless lie behind many mythological traditions, literary inventions, and religious epiphanies.
Drawing on his own experiences, a wealth of clinical cases from among his patients, and famous historical examples ranging from Dostoevsky to Lewis Carroll, the legendary neurologist Oliver Sacks investigates the mystery of these sensory deceptions: what they say about the working of our brains, how they have influenced our folklore and culture, and why the potential for hallucination is present in all humans.

NATIONAL BESTSELLER • From “the poet laureate of medicine" ( The New York Times ) and the author of the classic The Man Who Mistook his Wife for a Hat comes a fascinating exploration of the remarkable, unpredictable ways that our brains cope with the loss of sight by finding rich new forms of perception.
“Elaborate and gorgeously detailed.... Again and again, Sacks invites readers to imagine their way into minds unlike their own, encouraging a radical form of empathy.” — Los Angeles Times
With compassion and insight, Dr. Oliver Sacks again illuminates the mysteries of the brain by introducing us to some remarkable characters, including Pat, who remains a vivacious communicator despite the stroke that deprives her of speech, and Howard, a novelist who loses the ability to read. Sacks investigates those who can see perfectly well but are unable to recognize faces, even those of their own children. He describes totally blind people who navigate by touch and smell; and others who, ironically, become hyper-visual. Finally, he recounts his own battle with an eye tumor and the strange visual symptoms it caused.
As he has done in classics like The Man Who Mistook his Wife for a Hat and Awakenings , Dr. Sacks shows us that medicine is both an art and a science, and that our ability to imagine what it is to see with another person's mind is what makes us truly human.

Vintage Readers are a perfect introduction to some of the great modern writers presented in attractive, accessible paperback editions. "It is Dr. Sacks's gift that he has found a way to enlarge our experience and understanding of what the human is." 'The Wall Street Journal Dubbed "the poet laureate of medicine" by The New York Times, Oliver Sacks is a practicing neurologist and a mesmerizing storyteller. His empathetic accounts of his patients's lives'and wrily observed narratives of his own'convey both the extreme borderlands of human experience and the miracles of ordinary seeing, speaking, hearing, thinking, and feeling. Vintage Sacks includes the introduction and case study "Rose R." from Awakenings (the book that inspired the Oscar-nominated movie), as well as "A Deaf World" from Seeing Voices; "The Visions of Hildegard" from Migraine; excerpts from "Island Hopping" and "Pingelap" from The Island of the Colorblind; "A Surgeon's Life" from An Anthropologist on Mars; and two chapters from Sacks's acclaimed memoir Uncle Tungsten. From the Trade Paperback edition

From "the poet laureate of medicine" and national bestselling author of Awakenings comes a fascinating investigation of Southern Mexico that explores the origins of chocolate and mescal, pre-Columbian culture and hallucinogens, and the peculiar passions of botanists.
"Light and fast-moving. . . . Among the botanical and anthropological observations, one catches glimpses of Sacks's inner life: his preoccupation with dualities, his nearly Victorian sense of modesty, his fascination with the world around him." — The New Yorker
Since childhood, Oliver Sacks was fascinated by ferns: an ancient class of plants able to survive and adapt in many climates. Along with a delightful group of fellow fern aficionados—mathematicians, poets, artists, and assorted botanists and birders—he embarked on an exploration of Southern Mexico, a region that is also rich in human history and culture. Combining Sacks's enthusiasm for natural history and the richness of humanity with his sharp and observant eye for detail, Oaxaca Journal is a rare treat.

An introduction to the work of Oliver Sacks • “It is Dr. Sacks’s gift that he has found a way to enlarge our experience and understanding of what the human is.” — The Wall Street Journal
Dubbed “the poet laureate of medicine” by The New York Times, Oliver Sacks was a practicing neurologist and a mesmerizing storyteller. His empathetic accounts of his patients’s lives—and wrily observed narratives of his own—convey both the extreme borderlands of human experience and the miracles of ordinary seeing, speaking, hearing, thinking, and feeling.
Vintage Sacks includes the introduction and case study “Rose R.” from Awakenings (the book that inspired the Oscar-nominated movie), as well as “A Deaf World” from Seeing Voices; “The Visions of Hildegard” from Migraine; excerpts from “Island Hopping” and “Pingelap” from The Island of the Colorblind; “A Surgeon’s Life” from An Anthropologist on Mars; and two chapters from Sacks’s acclaimed memoir Uncle Tungsten.

NATIONAL BESTSELLER • With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat , Oliver Sacks explores the place music occupies in the brain and how it affects the human condition.
“Powerful and compassionate. . . . A book that not only contributes to our understanding of the elusive magic of music but also illuminates the strange workings, and misfirings, of the human mind.” — The New York Times
In Musicophilia , he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music.
Illuminating, inspiring, and utterly unforgettable.

“Illuminate[s] the complexities of the human brain and the mysteries of the human mind.” —The New York Times To many people, hallucinations imply madness, but in fact they are a common part of the human experience. These sensory distortions range from the shimmering zigzags of a visual migraine to powerful visions brought on by fever, injuries, drugs, sensory deprivation, exhaustion, or even grief. Hallucinations doubtless lie behind many mythological traditions, literary inventions, and religious epiphanies. Drawing on his own experiences, a wealth of clinical cases from among his patients, and famous historical examples ranging from Dostoevsky to Lewis Carroll, the legendary neurologist Oliver Sacks investigates the mystery of these sensory deceptions: what they say about the working of our brains, how they have influenced our folklore and culture, and why the potential for hallucination is present in us all.

With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music. Illuminating, inspiring, and utterly unforgettable, Musicophilia is Oliver Sacks’ latest masterpiece.
Source: https://www.penguinrandomhouse.com/books/159607/musicophilia-by-oliver-sacks/9780307267917/

Since childhood, Oliver Sacks has been fascinated by ferns: an ancient class of plants able to survive and adapt in many climates. Along with a delightful group of fellow fern aficionados—mathematicians, poets, artists, and assorted botanists and birders—he embarks on an exploration of Southern Mexico, a region that is also rich in human history and culture. He muses on the origins of chocolate and mescal, pre-Columbian culture and hallucinogens, the vibrant sights and sounds of the marketplace, and the peculiar passions of botanists. What other species would comb ancient Zapotec ruins on their hands and knees, searching for a new type of fern? Combining Sacks's enthusiasm for natural history and the richness of humanity with his sharp and observant eye for detail, Oaxaca Journal is a rare treat.

"Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls "musical misalignments." Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with "amusia," to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds - for everything but music. Dr. Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people who are deeply disoriented by Alzheimer's or schizophrenia." - Back cover

Revised and Expanded With the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music. Illuminating, inspiring, and utterly unforgettable, Musicophilia is Oliver Sacks' latest masterpiece.

Includes stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and faculties: the power of speech, the capacity to recognize faces, the sense of three-dimensional space, the ability to read, and the sense of sight. This book is a testament to the complexity of vision and the brain and to the power of creativity and adaptation, and it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to perceive through another person's eyes, or another person's mind

2015-12-07