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Aspects of orality and formularity in Gregorian chant 🔍
Theodore Karp Northwestern University Press, Evanston, Ill, Illinois, 1998
English [en] · PDF · 45.0MB · 1998 · 📗 Book (unknown) · 🚀/ia/zlib · Save
description
Includes bibliographical references (p. 455-465) and indexes.
Alternative filename
ia/aspectsoforality00karp.pdf
Alternative publisher
Ill. : Northeastern University Press
Alternative publisher
Marlboro Press, The
Alternative publisher
TriQuarterly Books
Alternative publisher
Hydra Books
Alternative edition
United States, United States of America
Alternative edition
Evanston, Ill, c 1998
Alternative edition
1, 1998
metadata comments
Includes bibliographical references (p. 455-465) and indexes.
Alternative description
Aspects of Orality and Formularity in Gregorian Chant is a milestone publication in the study of medieval monophonic music. In its movement away from the concept of chants as products and toward the idea of chants as processes, it will markedly change accepted ways of thinking about this musical form.The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chant circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant. Throughout, Karp uses 202 musical examples.The first essay evaluates forms of evidence that may shed light on the nature of orality that led to the surviving notational records of Gregorian chant and assembles evidence that supports the conclusion that fidelity of transmission represented an important goal of the Franks. The second essay treats formulas that cross the boundaries of individual liturgical genres and modes. The third essay defines the varying kinds of musical formulas in chant and proposes a chronological ordering of the genre of second-mode tracts.The fourth essay treats the transmission of a stable melody and explores the ways in which one basic melody may be adapted to texts of widely differing structures and lengths. The fifth essay deals with a group of unstable melodies that furnished difficulties in modal classification. The sixth essay explores the problems faced by scribes seeking to represent in diastematic notation melodies employing tones not normally admitted into the medieval gamut. The seventh essay takes up the role of the formula in introits, a neumatic genre intended forchoral performance.The two final essays look at second-mode tracts and at the interrelationship between Roman and Gregorian chant.
date open sourced
2023-06-28
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