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Surrealism, Feminism, Psychoanalysis 🔍
by Natalya Lusty Ashgate Publishing; Routledge; Ashgate, Aldershot England ; Burlington VT, ©2007
English [en] · PDF · 3.6MB · 2007 · 📘 Book (non-fiction) · 🚀/duxiu/lgli/lgrs/nexusstc/upload/zlib · Save
description
How Did Women Surrealists Such As Leonora Carrington And Claude Cahun Take Up The Question Of Female Identity In Terms Of Their Own Aesthetic And Intellectual Practice? What Was The Response Of Women Analysts Such As Joan Riviere To Freud's Psychoanalytic Construction Of Femininity? These Are Among The Questions That Natalya Lusty Brings To Her Sophisticated And Theoretically Informed Investigation Into The Appropriation Of 'the Feminine' By The Surrealist Movement. Combining Biographical And Textual Methods Of Analysis With Historically Specific Discussions Of Related Cultural Sites Such As Women's Magazines, Fashion, Debutante Culture, Sexology, Modernist Lesbian Subculture, Pornography, And Female Criminality, The Book Examines The Ambiguities And Blind Spots That Haunt The Work Of More Central Figures Such As Andre Breton, Georges Bataille, Jacques Lacan, Walter Benjamin, And The Surrealist Photographer Hans Bellmer. Lusty's Examination Of A Series Of Psychoanalytic Surrealist Themes, Including Narcissism, Fantasy, Masquerade, Perversion, And 'the Double', Illuminates A Modernist Preoccupation With The Crisis Of Subjectivity And Representation And Its Ongoing Relevance To More Recent Work By Cindy Sherman And Judith Butler. Her Book Is An Important Contribution To Modernist Studies That Will Appeal To Scholars And Students Working Across A Diverse Range Of Fields, Including Literary Studies, Gender Studies, Visual Culture, Cultural Studies, And Cultural History.--book Jacket. Introduction: Disturbing Subjects: Surrealism, Feminism, Psychoanalysis -- Masking The Crime Of Femininity -- Surrealist Transgression And Feminist Subversion -- Disturbing The Photographic Subject -- Fashioning The Lesbian Subject Of Surrealism -- Surrealism, Violence And Censorship -- Conclusion: Disturbing The Feminist Subject. Natalya Lusty. Includes Bibliographical References (p. [159]-168) And Index.
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nexusstc/Surrealism, Feminism, Psychoanalysis/3135339b40fe6685f5f1ed19796174c5.pdf
Alternative filename
lgrsnf/Surrealism, Feminism, Psychoanalysis 9781315242026 - Copy.pdf
Alternative filename
zlib/Arts/Natalya Lusty/Surrealism, Feminism, Psychoanalysis_11849954.pdf
Alternative author
Lusty, Natalya
Alternative publisher
MPG BOOKS LTD.BODMIN,CORNWALL.
Alternative publisher
Lund Humphries Publishers Ltd
Alternative publisher
Ashgate Publishing Limited
Alternative publisher
Taylor & Francis Group
Alternative publisher
Taylor & Francis Ltd
Alternative publisher
Gower Publishing Ltd
Alternative publisher
Taylor and Francis
Alternative edition
Taylor & Francis (Unlimited), New York, 2016
Alternative edition
United Kingdom and Ireland, United Kingdom
Alternative edition
Burlington, VT, Vermont, 2007
Alternative edition
Abingdon, Oxon, 2016
Alternative edition
ALDERSHOT, Unknown
Alternative edition
November 5, 2007
Alternative edition
Florence, 2007
Alternative edition
PS, 2007
Alternative edition
2017
Alternative edition
uuuu
metadata comments
lg2970439
metadata comments
producers:
PDFBox
metadata comments
{"isbns":["0754653366","9780754653363"],"last_page":192,"publisher":"Ashgate"}
metadata comments
类型: 图书
metadata comments
出版日期: 2007
metadata comments
出版社: MPG BOOKS LTD.BODMIN,CORNWALL.
metadata comments
页码: 174
metadata comments
Includes bibliographical references and index.
Alternative description
How did women Surrealists such as Leonora Carrington and Claude Cahun take up the question of female identity in terms of their own aesthetic and intellectual practice? What was the response of women analysts such as Joan Riviere to Freud's psychoanalytic construction of femininity? These are among the questions that Natalya Lusty brings to her sophisticated and theoretically informed investigation into the appropriation of'the feminine'by the Surrealist movement. Combining biographical and textual methods of analysis with historically specific discussions of related cultural sites such as women's magazines, fashion, debutante culture, sexology, modernist lesbian subculture, pornography, and female criminality, the book examines the ambiguities and blind spots that haunt the work of more central figures such as André Breton, Georges Bataille, Jacques Lacan, Walter Benjamin, and the Surrealist photographer Hans Bellmer. Lusty's examination of a series of psychoanalytic Surrealist themes, including narcissism, fantasy, masquerade, perversion, and'the double', illuminates a modernist preoccupation with the crisis of subjectivity and representation and its ongoing relevance to more recent work by Cindy Sherman and Judith Butler. Her book is an important contribution to modernist studies that will appeal to scholars and students working across a diverse range of fields, including literary studies, gender studies, visual culture, cultural studies, and cultural history.
Alternative description
Cover 1
Half Title 2
Title Page 4
Copyright Page 5
Contents 6
List of Illustrations 8
Acknowledgments 10
1 Introduction: Disturbing Subjects: Surrealism, Feminism, Psychoanalysis 12
2 Masking the Crime of Femininity 30
3 Surrealist Transgression and Feminist Subversion 58
4 Disturbing the Photographic Subject 92
5 Fashioning the Lesbian Subject of Surrealism 116
6 Surrealism, Violence and Censorship 138
7 Conclusion: Disturbing the Feminist Subject 166
Bibliography 178
Index 188
Alternative description
Combining biographical and textual methods of analysis with historically specific discussions of related cultural sites such as women's magazines, fashion, debutante culture, and sexology, the book examines the ambiguities and blind spots that haunt the work of more central figures such as Andre Breton, Georges Bataille and Jacques Lacan.
date open sourced
2021-03-24
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